It's fascinating the things a microphone can do, once held in front of a potential speaker.
Voices rage, chests thrust out, and fists pump the air. Worries usually coughed into a coal-stove spill forth in a rush as soon as the husband leaves the room. "No, he won't know when the programme airs on TV. Listen, I'll tell before he comes back for lunch."
Babies, of course, without exception, land their toothless mouths on the mike, and claw at it with their little fingers.
White khadi shirts comb their sparse hair all to one side in an attempt to hide the bald patch, straighten their collars and backs, and clear their throat. They know what they are going to say, and have said it many times before. People have yawned in their faces, and their run-of-the-mill lines have never been used in TV stories, but they're on auto-motor-mouth. But try to ignore the guy, and he'll fetch the whole community to scream in sync about how the media is biased. "You upper class convent educated media only want to show the flooded houses of the rich guys. You don’t even care if a poor man's corpse floats by you. Let's see you trying to come back to this area! I'll break your legs!"
That it is dramatic and baseless is beside the point. But how to get out the situation? Stick the mike in his face. Scream, if you will, into the mike, I say. He won't say much, but will be happy, and his party cadres will commend his intonation as he says, "Chief Minister must resign!" And we can continue to wade towards those marooned in their huts.
We're always asked if we're from Sun TV. Or Jaya TV. Some ask if we are Karunandhi. Or Jayalalitha. When we tell them it's an English news channel, the crowd disperses. Some inform the disinterested that "nowadays you can talk in Tamil for English channels also."
Some women, usually the first ones to speak, shuffle towards me. Many that talk to the mike know what the media likes. They've seen too many cameras, answered the same questions a trillion times, and seen nothing happen despite all that. They've also seen people's heart going out to the woman beating her chest in Nagapattinam. They saw the channel proudly showing off the impact of that footage. They know she received Rs. 6 lakh.
These women start from the beginning, tell me where the government machinery failed, where they themselves were at fault, what they need, and how sure they are not much help will come their way. The greater the pain, the more difficult it is to speak. Especially to someone holding a mike. Sometimes a tear or two wets the cheek. As if only someone's tears can tell us how unpredictably cruel life can be. I never know what to say, so just look on.
But, that day, when she cried that her daughter was washed away in the flood, the others behind her were smiling. They wanted her to talk to me, and cry, if she wanted, but they knew, just as well as I did, that she was lying. She had no daughter. I knew I wasn’t going to show this on TV, but none of us were angry about her lie. She'd been through agony, even if it wasn't because her baby died. Her only house broke, all her belongings were too soggy to be of any use ever and she was stuck with the loans she took to buy them, her husband couldn't go fishing, and she had no fish to sell. They had no water to drink, or food to eat for a month. Only cameras to talk to once in a while. Her daughter didn't have to die for her to cry. She thinks maybe more people are listening because she's crying.
Of course, everyone can see the drama in it all. Dripping with a stage-set sort of feeling. I will not carry her tears on TV just so people can ignore her other real agonies.
My only hope was the children. I remember being told they can never lie. When I ask a 7-year-old what happened to his sister who was born a few months ago, he looks me straight in the eye and says his father boiled her in the cauldron. But to the mike, he says she's growing up in grandma's house in the city.
I look for someone else who'll talk to the mike. Maybe they too will embellish the truth, or paint it in peaceful colours.
The eyes. We've just got to look at the eyes to know.
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